{"id":1268,"date":"2025-02-24T10:14:40","date_gmt":"2025-02-24T10:14:40","guid":{"rendered":"https:\/\/canpinyonaire.com\/equip\/"},"modified":"2025-04-11T09:04:03","modified_gmt":"2025-04-11T09:04:03","slug":"team","status":"publish","type":"page","link":"https:\/\/canpinyonaire.com\/en\/team\/","title":{"rendered":"Team"},"content":{"rendered":"<h1>Anna Santolaria<\/h1>\n<div>\n<h5>Founder of Can Pinyonaire Vitralls, she has collaborated on stained glass conservation projects in numerous European workshops. Notable projects include the Flemish stained glass conservation at Lichfield Cathedral (1532), the east window conservation at York Minster (1405-08), the north window conservation at Uppsala Cathedral (1892), and the apse window conservation at Naumburg Cathedral (1250).<\/h5>\n<h5>At Can Pinyonaire, her most remarkable projects include the restoration of the medieval stained glass rediscovered at Girona Cathedral (1230-1430), the restoration of the fa\u00e7ade stained glass at Casa Batll\u00f3 (1906), the restoration of modernist stained glass at Joan Bruguera School (1912), the restoration of the Amig\u00f3 ensemble at the Church of Sant Esteve de Bordils (1890), and the restoration of the stained glass ensemble at the Basilica of Santa Maria de Vilafranca del Pened\u00e8s.<\/h5>\n<\/div>\n<p><p>\n        <a href=\"\/wp-content\/uploads\/2025\/02\/Anna-Santolaria-CV-Directora-Can-Pinyonaire-Vitralls.pdf\">+ info<\/a>\n    <\/p>\n<\/p>\n<h1>Txell Colomer<\/h1>\n<div>\n<h5>Since 2020, Txell has been working at the Can Pinyonaire Vitralls studio in the Old Town of Girona, where new creations coexist alongside historic stained glass conservation projects. Colomer has worked here on restoration projects such as the Basilica of Santa Maria de Vilafranca del Pened\u00e8s stained glass ensemble, the modernist stained glass restoration at Cal Sabater (1914), and the restoration of the rediscovered medieval stained glass at Girona Cathedral (1230-1430). <\/h5>\n<h5>Among her major stained glass creations are the nave stained glass at Santa Maria de Vilafranca del Pened\u00e8s, designed by the artist F\u00e8lix Plantalech, or the south fa\u00e7ade stained glass at Sant Cugat del Vall\u00e8s Monastery, designed by Anna Santolaria. Notably, she has also worked on the new oculus for the Basilica of Santa Maria de Vilafranca del Pened\u00e8s featuring her own design, installed in the summer of 2022. <\/h5>\n<\/div>\n<p><p>\n        <a href=\"\/wp-content\/uploads\/2025\/02\/Txell-Colomer-CV-Treballadora-de-Can-Pinyonaire-Vitralls.pdf\">+ info<\/a>\n    <\/p>\n<\/p>\n<ul>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2025\/02\/can_pinyonaire_taller_1.jpg\" alt=\"\"><\/p>\n<h3>can_pinyonaire_taller_1<\/h3>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2025\/02\/can_pinyonaire_taller_2.jpg\" alt=\"\"><\/p>\n<h3>can_pinyonaire_taller_2<\/h3>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2025\/02\/can_pinyonaire_taller_3.jpg\" alt=\"\"><\/p>\n<h3>can_pinyonaire_taller_3<\/h3>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2025\/02\/can_pinyonaire_taller_4.jpg\" alt=\"\"><\/p>\n<h3>can_pinyonaire_taller_4<\/h3>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2025\/02\/can_pinyonaire_taller_5.jpg\" alt=\"\"><\/p>\n<h3>can_pinyonaire_taller_5<\/h3>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2025\/02\/can_pinyonaire_taller_6.jpg\" alt=\"\"><\/p>\n<h3>can_pinyonaire_taller_6<\/h3>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2025\/02\/can_pinyonaire_taller_7.jpg\" alt=\"\"><\/p>\n<h3>can_pinyonaire_taller_7<\/h3>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2025\/02\/can_pinyonaire_taller_8.jpg\" alt=\"\"><\/p>\n<h3>can_pinyonaire_taller_8<\/h3>\n<\/li>\n<li>\n<p>        <img decoding=\"async\" src=\"\/wp-content\/uploads\/2025\/02\/can_pinyonaire_taller_9.jpg\" alt=\"\"><\/p>\n<h3>can_pinyonaire_taller_9<\/h3>\n<\/li>\n<\/ul>\n<p><!--more--><br \/>\n<!-- {\"type\":\"layout\",\"children\":[{\"type\":\"section\",\"props\":{\"animation\":\"fade\",\"animation_delay\":\"200\",\"header_transparent\":true,\"header_transparent_noplaceholder\":true,\"height_offset_top\":false,\"image_position\":\"center-center\",\"padding\":\"none\",\"style\":\"default\",\"title_breakpoint\":\"xl\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"vertical_align\":\"\",\"width\":\"\"},\"children\":[{\"type\":\"row\",\"props\":{\"column_gap\":\"collapse\",\"height\":\"viewport\",\"height_offset_top\":false,\"layout\":\"1-2,1-2\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"padding\":\"large\",\"position_sticky_breakpoint\":\"m\",\"style\":\"card-default\",\"vertical_align\":\"middle\",\"width_medium\":\"1-2\"},\"children\":[{\"type\":\"headline\",\"props\":{\"block_align\":\"center\",\"content\":\"Anna Santolaria\",\"css\":\".el-element{margin-top:100px;}\",\"margin\":\"medium\",\"maxwidth\":\"large\",\"text_align\":\"center\",\"title_element\":\"h1\"}},{\"type\":\"text\",\"props\":{\"animation\":\"slide-bottom-small\",\"block_align\":\"center\",\"column_breakpoint\":\"m\",\"content\":\"\n\n<h5>Founder of Can Pinyonaire Vitralls, she has collaborated on stained glass conservation projects in numerous European workshops. Notable projects include the Flemish stained glass conservation at Lichfield Cathedral (1532), the east window conservation at York Minster (1405-08), the north window conservation at Uppsala Cathedral (1892), and the apse window conservation at Naumburg Cathedral (1250).<\\\/h5>\\n\\n\n\n<h5>At Can Pinyonaire, her most remarkable projects include the restoration of the medieval stained glass rediscovered at Girona Cathedral (1230-1430), the restoration of the fa\\u00e7ade stained glass at Casa Batll\\u00f3 (1906), the restoration of modernist stained glass at Joan Bruguera School (1912), the restoration of the Amig\\u00f3 ensemble at the Church of Sant Esteve de Bordils (1890), and the restoration of the stained glass ensemble at the Basilica of Santa Maria de Vilafranca del Pened\\u00e8s.<\\\/h5>\\n\",\"margin\":\"default\",\"maxwidth\":\"large\",\"text_align\":\"center\"}},{\"type\":\"button\",\"props\":{\"grid_column_gap\":\"small\",\"grid_row_gap\":\"small\",\"margin\":\"default\",\"text_align\":\"center\"},\"children\":[{\"type\":\"button_item\",\"props\":{\"button_style\":\"text\",\"content\":\"+ info\",\"dialog_layout\":\"modal\",\"dialog_offcanvas_flip\":true,\"icon_align\":\"left\",\"link\":\"wp-content\\\/uploads\\\/2025\\\/02\\\/Anna-Santolaria-CV-Directora-Can-Pinyonaire-Vitralls.pdf\",\"link_target\":\"blank\"}}]}]},{\"type\":\"column\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2025\\\/02\\\/vitralls_can_pinyonaire_31.jpg\",\"image_position\":\"center-center\",\"image_size\":\"cover\",\"position_sticky_breakpoint\":\"m\",\"width_medium\":\"1-2\"}}]}]},{\"type\":\"section\",\"props\":{\"animation\":\"fade\",\"animation_delay\":\"200\",\"header_transparent\":true,\"header_transparent_noplaceholder\":true,\"height_offset_top\":false,\"image_position\":\"center-center\",\"padding\":\"none\",\"style\":\"default\",\"title_breakpoint\":\"xl\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"vertical_align\":\"\",\"width\":\"\"},\"children\":[{\"type\":\"row\",\"props\":{\"column_gap\":\"collapse\",\"height\":\"viewport\",\"height_offset_top\":false,\"layout\":\"1-2,1-2\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"image_size\":\"cover\",\"padding\":\"large\",\"position_sticky_breakpoint\":\"m\",\"style\":\"card-default\",\"vertical_align\":\"middle\",\"width_medium\":\"1-2\"},\"children\":[{\"type\":\"headline\",\"props\":{\"block_align\":\"center\",\"content\":\"Txell Colomer\",\"css\":\".el-element{margin-top:100px;}\",\"margin\":\"medium\",\"maxwidth\":\"large\",\"text_align\":\"center\",\"title_element\":\"h1\"}},{\"type\":\"text\",\"props\":{\"animation\":\"slide-bottom-small\",\"block_align\":\"center\",\"column_breakpoint\":\"m\",\"content\":\"\n\n<h5>Since 2020, Txell has been working at the Can Pinyonaire Vitralls studio in the Old Town of Girona, where new creations coexist alongside historic stained glass conservation projects. Colomer has worked here on restoration projects such as the Basilica of Santa Maria de Vilafranca del Pened\\u00e8s stained glass ensemble, the modernist stained glass restoration at Cal Sabater (1914), and the restoration of the rediscovered medieval stained glass at Girona Cathedral (1230-1430). <\\\/h5>\\n\n\n<h5>Among her major stained glass creations are the nave stained glass at Santa Maria de Vilafranca del Pened\\u00e8s, designed by the artist F\\u00e8lix Plantalech, or the south fa\\u00e7ade stained glass at Sant Cugat del Vall\\u00e8s Monastery, designed by Anna Santolaria. Notably, she has also worked on the new oculus for the Basilica of Santa Maria de Vilafranca del Pened\\u00e8s featuring her own design, installed in the summer of 2022. <\\\/h5>\\n\",\"margin\":\"default\",\"maxwidth\":\"large\",\"text_align\":\"center\"}},{\"type\":\"button\",\"props\":{\"grid_column_gap\":\"small\",\"grid_row_gap\":\"small\",\"margin\":\"default\",\"text_align\":\"center\"},\"children\":[{\"type\":\"button_item\",\"props\":{\"button_style\":\"text\",\"content\":\"+ info\",\"dialog_layout\":\"modal\",\"dialog_offcanvas_flip\":true,\"icon_align\":\"left\",\"link\":\"wp-content\\\/uploads\\\/2025\\\/02\\\/Txell-Colomer-CV-Treballadora-de-Can-Pinyonaire-Vitralls.pdf\",\"link_target\":\"blank\"}}]}]},{\"type\":\"column\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2025\\\/02\\\/vitralls_can_pinyonaire_32.jpg\",\"image_position\":\"center-center\",\"image_size\":\"cover\",\"order_first\":\"s\",\"padding\":\"large\",\"position_sticky_breakpoint\":\"m\",\"style\":\"card-default\",\"vertical_align\":\"middle\",\"width_medium\":\"1-2\"}}]}]},{\"type\":\"section\",\"props\":{\"image_position\":\"center-center\",\"padding\":\"none\",\"sticky\":\"reveal\",\"style\":\"default\",\"title_breakpoint\":\"xl\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"vertical_align\":\"middle\",\"width\":\"\"},\"children\":[{\"type\":\"row\",\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"slideshow\",\"props\":{\"link_style\":\"default\",\"link_text\":\"Read more\",\"margin\":\"default\",\"meta_align\":\"below-title\",\"meta_element\":\"div\",\"meta_style\":\"text-meta\",\"nav\":\"\",\"nav_align\":\"center\",\"nav_breakpoint\":\"s\",\"nav_position\":\"bottom-center\",\"nav_position_margin\":\"medium\",\"overlay_animation\":\"parallax\",\"overlay_position\":\"center-left\",\"show_content\":true,\"show_link\":true,\"show_meta\":true,\"show_thumbnail\":true,\"show_title\":false,\"slidenav\":\"bottom-right\",\"slidenav_breakpoint\":\"\",\"slidenav_margin\":\"medium\",\"slidenav_outside_breakpoint\":\"xl\",\"slideshow_animation\":\"fade\",\"slideshow_autoplay\":true,\"slideshow_autoplay_pause\":false,\"slideshow_height\":\"viewport\",\"slideshow_min_height\":\"500\",\"thumbnav_height\":\"75\",\"thumbnav_svg_color\":\"emphasis\",\"thumbnav_width\":\"100\",\"title_element\":\"h3\",\"title_hover_style\":\"reset\"},\"children\":[{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2025\\\/02\\\/can_pinyonaire_taller_1.jpg\",\"title\":\"can_pinyonaire_taller_1\"}},{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2025\\\/02\\\/can_pinyonaire_taller_2.jpg\",\"title\":\"can_pinyonaire_taller_2\"}},{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2025\\\/02\\\/can_pinyonaire_taller_3.jpg\",\"title\":\"can_pinyonaire_taller_3\"}},{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2025\\\/02\\\/can_pinyonaire_taller_4.jpg\",\"title\":\"can_pinyonaire_taller_4\"}},{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2025\\\/02\\\/can_pinyonaire_taller_5.jpg\",\"title\":\"can_pinyonaire_taller_5\"}},{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2025\\\/02\\\/can_pinyonaire_taller_6.jpg\",\"title\":\"can_pinyonaire_taller_6\"}},{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2025\\\/02\\\/can_pinyonaire_taller_7.jpg\",\"title\":\"can_pinyonaire_taller_7\"}},{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2025\\\/02\\\/can_pinyonaire_taller_8.jpg\",\"title\":\"can_pinyonaire_taller_8\"}},{\"type\":\"slideshow_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2025\\\/02\\\/can_pinyonaire_taller_9.jpg\",\"title\":\"can_pinyonaire_taller_9\"}}]}]}]}]}],\"version\":\"4.5.11\"} --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anna Santolaria Founder of Can Pinyonaire Vitralls, she has collaborated on stained glass conservation projects in numerous European workshops. Notable projects include the Flemish stained glass conservation at Lichfield Cathedral (1532), the east window conservation at York Minster (1405-08), the north window conservation at Uppsala Cathedral (1892), and the apse window conservation at Naumburg Cathedral [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1268","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Team - Can Pinyonaire Vitralls<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/canpinyonaire.com\/en\/team\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Team - Can Pinyonaire Vitralls\" \/>\n<meta property=\"og:description\" content=\"Anna Santolaria Founder of Can Pinyonaire Vitralls, she has collaborated on stained glass conservation projects in numerous European workshops. 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